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After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.
After seven months have passed without a culprit in her daughter’s murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at Bill Willoughby, the town’s revered chief of police. When his second-in-command Officer Jason Dixon, an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.
Damien, a London copper has a past he’s trying to forget. Before joining the force he ran with a football firm, getting involved in tear-ups up and down the country. Now he’s on the other side of the law and faces a tough decision, side with his old crew or protect London as it burns and rioters run amok. Falling in love with fellow cop Louise, he is quickly alerted to a street-level uprising that is about to shake London. Amidst the brutalities presented by the riots, he fights for justice at Louise’s expense. Having been raped by a rioter known to him, Damien finds himself levelling with the rioters, fighting a war he cannot win, as much against the rioters as against himself.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
Amandla is an anti-apartheid resistance slogan and means power. Apartheid in South Africa is still in full force when, in 1987, the two brothers Impi and Nkosana grew up on a farm as the sons of servants. The white owners are liberal people who aren’t too particular about racial segregation. Black Africans have it relatively good there. Even a tender love bond develops between Impi and the blond daughter Elizabeth. But they have to be on their guard when neighboring farmers come to visit. When three racist upstart Boers arrive on the farm one day, tragic incidents occur with terrible consequences. The two Zulu boys are now on their own. Several years after surviving this childhood tragedy, the now grown brothers each find themselves on the opposing sides of the law. One is a gangster, the other is a police officer. A heinous gang crime tests their loyalty to one another.
Sheriff Church (Robert De Niro) and Detective Zeppelin strive to keep the peace in their rough town, where residents’ only two interests are the church or oxycodone. Newly engaged Shelby John (Jack Huston) and Ruby Red want a fresh start. They decide to have a family together and get clean, with the support of Peter, Ruby’s brother-in-law (John Malkovich). However Shelby discovers his beloved Ruby dead on their porch before she could fulfill her final wish: to be baptized in the river and washed away from her past sins. Filled with fiery rage, Shelby embarks on a vengeful killing spree to right all the wrong done to Ruby by every link in the drug dealing chain. Armed with nothing but adrenaline and a nail gun, Shelby picks off dealers and junkies one by one until he gets to the top. Sheriff Church and Detective Zeppelin must race against the clock to put an end to Shelby’s vigilante justice before his fight with the crime lord Coyote (Quavo) turns the entire town into a bloodbath.
‘A Vanishing Fog’ creates an emotionally deep mystical portrait of life’s end and beginning which are both born in the middle of life. The ancient sacred place Sumapaz Páramo in Colombia is the world’s largest Alpine tundra ecosystem and a source of drinking water for the capital’s 11 million residents who have to admire the protected mountain range with its mercilessly harsh climate from a respectful distance. Sumapaz, left outside human activities and the boundaries of law, has become a criminal backroad, the last barricades of which mountain guard F defends with his father and other natives.
A whisper among the sprawling forests and mill towns of central Newfoundland. A body found on the side of a river brings together a reclusive fur trapper and a heartsick mother-to-be. Scott is lonely and desperate to give himself meaning. Mona is strong-willed, but frustrated by her fragility. As a reluctant dependence blossoms the pair find themselves wading into violence, answering for the debts of a dead man. Stalked by outlaws, they plan an exit.
No sooner has 15-year-old Lee Keegan been expelled from his private school than an apocalyptic event wipes out most of the world’s population. With his father dead and mother trapped abroad, Lee is given one instruction: go back to school. But safety and security at St. Mark’s School for Boys is in short supply. Its high walls can’t stop the local parish council from forming a militia and imposing marshal law, while inside the dorms the end of the world is having a dangerous effect on his best friend and his unrequited crush on the school nurse isn’t helping him concentrate on staying alive.
Set in Cape Town, South Africa Mama Jack is the story of Jack Theron, an ordinary person working on a film set. However, his movie producer boss hates him and wants to remove him from the production of the film. In a bid to get rid of Jack, the producer spikes his drink with a drug at a glamorous function, and before long Jack has got himself on the wrong side of the law. While on the run, Jack turns to his friend, a make-up artist, who turns him into “Mama Bolo”. Mama Bolo soon finds “herself” employed by the producer’s fiancée, Angela. A series of deceptions and misunderstandings pile up and comic mayhem ensues with Jack Theron becoming another character, Doctor Donald, a tramp from Scotland.
On a school trip at the local museum, class troublemaker Scott Collins experiences a bizarre psychic connection with one of its artifacts – a skull. The creepy skull allows him to for-see his grandmother’s death. Of course, nobody believes him, passing it off as one of his usual tales. But after gran dies suddenly, his younger sister, Trish, for whom he shares a mutual contempt, is stunned to learn that her brother’s premonition was true. With both parents out of work and their house on the verge of foreclosure, Scott, still affected by the powers of the skull, convinces his family to accept employment as caretakers for a large Victorian house in the countryside. When they arrive they meet the owner, Trelawney, a seemingly normal man with one exception – he has the ability to speak to Scott telepathically. Scott soon discovers that the cursed skull holds the key to both of their futures.
Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of chocolate milk. One of her boarders, Lori, becomes attracted to him. However, while he was serving his prison sentence, Terry developed an interest in rough, violent sex, and gory death. Now, one by one, some of the town’s women pop up dead.
France, 1940. In the first days of occupation, beautiful Lucile Angellier is trapped in a stifled existence with her controlling mother-in-law as they both await news of her husband: a prisoner of war. Parisian refugees start to pour into their small town, soon followed by a regiment of German soldiers who take up residence in the villagers’ own homes. Lucile initially tries to ignore Bruno von Falk, the handsome and refined German officer staying with them. But soon, a powerful love draws them together and leads them into the tragedy of war.
History — make that high school — may repeat itself when Marni learns that Joanna, the mean girl from her past, is set to be her sister-in-law. Before the wedding bells toll, Marni must show her brother that a tiger doesn’t change its stripes. On Marni’s side is her mother, while Joanna’s backed by her wealthy aunt.
The story of a gang of children growing up in a community of banished criminals, in a forgotten corner of the former Soviet Union. This community rejects the world outside. The only law it obeys… is its own. Against this backdrop two best friends, Kolyma and Gagarin, gradually become fierce enemies as they find themselves on opposite sides of the strict code of honour of the ‘honest criminal’ brotherhood.
In this film based on a Neil Simon play, newlyweds Corie, a free spirit, and Paul Bratter, an uptight lawyer, share a sixth-floor apartment in Greenwich Village. Soon after their marriage, Corie tries to find a companion for mother, Ethel, who is now alone, and sets up Ethel with neighbor Victor. Inappropriate behavior on a double date causes conflict, and the young couple considers divorce.
It’s vacation time for outdoorsy Chicago man Chet Ripley, along with his wife, Connie, and their two kids, Buck and Ben. But a serene weekend of fishing at a Wisconsin lakeside cabin gets crashed by Connie’s obnoxious brother-in-law, Roman Craig, his wife, Kate, and the couple’s two daughters. As the excursion wears on, the Ripleys find themselves at odds with the stuffy Craig family.
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.
A disgraced FBI agent with a drinking problem joins nine other troubled law enforcement officers at an isolated detox clinic in the wilds of Wyoming. But the therapeutic sanctuary becomes a nightmarish hellhole when a major snowstorm cuts off the clinic from the outside world and enables a killer on the inside to get busy.
After being captured and tortured by the psychopath Otis, teen cheerleader Riley Lawson escapes and informs her parents, who quickly sidestep sluggish FBI agents and take matters into their own hands. But the Lawsons’ revenge plan hits a snag when Otis’s unusual brother enters the picture.
Detective Nick Blades is a New Orleans cop on trial for corruption. Assistant District Attorney Theo Gold is the man in charge of putting him behind bars. When these two unlikely partners from opposite sides of the law stumble onto a criminal plot, they’ll need to rely on luck – and patience – to take down a dangerous killer without killing each other first.
BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.
Jamilah has her whole life figured out. She’s the president of her black sorority, captain of their champion step dance crew, is student liaison to the college dean, and her next move is on to Harvard Law School. She’s got it all, right? But when the hard-partying white girls from Sigma Beta Beta embarrass the school, Jamilah is ordered to come to the rescue. Her mission is to not only teach the rhythmically-challenged girls how to step dance, but to win the Steptacular, the most competitive of dance competitions. With the SBBs reputations and charter on the line, and Jamilah’s dream of attending Harvard in jeopardy, these outcast screw-ups and their unlikely teacher stumble through one hilarious misstep after another. Cultures clash, romance blossoms, and sisterhood prevails as everyone steps out of their comfort zones.
Situated just above the awe-inspiring Ipanema beach in Rio is the Cantagalo slum. Every day, floods of Cantagalo residents make their way down the mountain, only to disappear into their surroundings as part of the invisible working-class that cleans apartments, works in restaurants, and sells food along the scenic, sun-drenched shores. Young Dé (Thiago Martins) is just such a man. Dé lives with his mother Bernadette (Cyria Coentro) in a cramped Cantagalo apartment, selling hot dogs on the beach in order to make the rent. His brother Beto was killed when Dé was just a young boy, and his adopted brother Carlão (Rocco Pitanga) has been jailed for a robbery that he didn’t commit. One day, while working on the beach, Dé meets Nina (Vitória Frate). Nina is the only child of a successful lawyer named Evandro (Paulo César Grande), who’s none to happy to discover that his daughter is dating a member of the lower class. How…
Four rogues, who were best friends as kids, have one big problem: they’re sitting on both sides of the law. Martin is a policeman, while Nikolai, Ralf, and Timo can’t distinguish between personal possessions and the possessions of others! When all four find themselves in a fix, they’re forced to return to their former tricks against a common foe, Mr Niemeyer. Martin is not as successful, however, either at his job or marriage, and thinks he deserves a better life. Now he sees an opportunity to save his career by “playing” with his old friends on a mission that is so crazy that even the two foolish brothers can do some good.
Dubbed “The Cannibal Cop,” former NYPD officer Gilberto Valle was convicted of conspiring to kidnap and eat women in March 2013. Valle had argued it was all a fantasy, but the prosecution’s narrative convinced jurors otherwise. His story made headlines not only for its chilling details, but also because of its landmark decision regarding a man many consider “patient zero” in a growing thought-police trend across the nation. Featuring unprecedented, intimate interviews with Valle and his family, as well as insights from lawyers, journalists, psychological professionals and criminal experts, THOUGHT CRIMES: THE CASE OF THE CANNIBAL COP explores this complicated case, asking if someone can be found guilty for his or her most dangerous thoughts.
In life, there’s silver, and there’s lead, says Rikki Ortega, as he moves to be king of the street in “Ánglio,” L.A.’s east side. Older brothers and a brother-in-law are in his way. While they think they are driving out the Rojas, a local gang that runs the meth trade for bosses in Cabo San Lucas, Rikki is running an elaborate double-cross on his own family. He’s not happy just to run this fratricidal con, he also wants to cash in as much as he can of one hundred kilos of crystal meth that he stole from the Rojas (and the Mexicans), seduce the girlfriend of one of his victims, and stay ahead of a cop who was a childhood friend. Will he end up with the silver?
Due to climate change a new race of flesh eating predators arise, who invade and eat everything living on earth. In a residential neighbourhood in a Danish suburb nightmare like scenes are being experienced first hand through the eyes of two teenage brothers, who can’t stand each other, but are now suddenly forced to barricade themselves in the basement together, to avoid getting eaten. From one day to another, without parents and without electricity, food, water and contact to other people, the brothers have to learn to live together in their vital protection bunker, while monsters move past the basement windows and heavy, sharp claws can be heard moving around upstairs on the wooden floors.
More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined – over $50 billion a year and growing. Through extensive research and interviews with the nation’s top divorce lawyers, mediators, judges, politicians, litigants and journalists, DIVORCE CORP. uncovers how children are torn from their homes, unlicensed custody evaluators extort money, and abusive judges play god with people’s lives while enriching their friends. This explosive documentary reveals the family courts as unregulated, extra-constitutional fiefdoms. Rather than assist victims of domestic crimes, these courts often precipitate them. And rather than help parents and children move on, as they are mandated to do, these courts – and their associates – drag out cases for years, sometimes decades, ultimately resulting in a rash of social ills, including home foreclosure, bankruptcy, suicide and violence.
The true story of the deadliest shootout for lawmen in US history, 10 cops and one civilian went to arrest 2 brothers for murder on Jan 2, 1932, just outside Springfield Missouri. The Sheriff had been neighbors with the brothers family and didn’t expect any trouble, they were wrong, of the 10 lawmen and one civilian, 9 were shot and 6 killed, it stands as the deadliest shootout for cops to date.
When Chand arrives in Brampton, Ontario to meet her new husband, she leaves behind a loving family and supportive community. Now, in a new country, she finds herself living in a modest suburban home with seven other people and two part-time tenants. Inside the home, she is at the mercy of her husband’s temper, and her mother-in-law’s controlling behaviour.
Fleeing to Dodge City after killing a man in self defence Masterson finds his brother Ed (Harry Lauter) running for sheriff of the town. When Ed is killed by hired guns of the corrupt incumbent Bat is determined to settle the score with violence but he is convinced by the townspeople that the best way to avenge his brother’s death is by taking Ed’s place on the ballot. Bat agrees and wins the election but his new role on the right side of the law will lead him to unexpected confrontations as he finds himself torn between his loyalties to his friends and his duties as sheriff.
Spend time on both sides of World War I, partly with German flying ace Baron Manfred Von Richthofen (John Phillip Law), aka “The Red Baron,” and his colorful “flying circus” of Fokker fighter planes, during the time from his arrival at the war front to his death in combat. On the other side is Roy Brown of the Royal Air Force, sometimes credited with shooting Richthofen down.
